ENERGIES VORTEX SERIES 2020-2026
I am deeply interested in color vibration and the physical act of painting, exploring materiality, gesture, scale, and movement. My approach to form and shape draws from the spontaneity of mid-century Action Painting, while my use of color channels the bold, emotive intensity of the Fauves. Color takes on a symbolic, dominant role in my work, acting as both a conduit for energy and a reflection of consciousness. This aligns with the ideas of Bruce Lipton, who suggests that our perceptions and beliefs shape our biological reality, and Joe Dispenza, who emphasizes the transformative power of intention and the mind-body connection.
In my work, I channel energy and intention to create a visual manifestation of transformation, much like Dispenza explores how focused intention can shift our physical state. Through this process, I aim to shift the viewer’s perception, using color and form to influence their emotional and energetic response, reflecting the interconnectedness of consciousness and the universe described by both Lipton and Dispenza.
The chromatic mutations in my work represent emotional, internal, and subjective aspects, creating a visual identity rooted in emotion. When drawing upon movements like Abstract Expressionism and Fauvism, I explore how thought, intention, and energy converge in the act of creation as Dispenza suggests in his own field of study.
My artwork explores universal energy and its unity within the infinite diversity of elements. I delve into the concept of heterogeneity, depicting the juxtapositions of chaos and harmony, constant change and movement, and the notion that each part contains the whole. This interplay of elements forms a visual multiplicity I refer to as "Energies."The variety of elements in my paintings represent energies vibrating simultaneously.
I convey these energies through highly saturated colors to generate optical effects, a range of gestural brushstrokes that create rhythmic movement, and the superposition of shapes to produce the illusion of three-dimensional space. At first glance, my paintings may appear as bustling areas of brushwork, and with further contemplation, viewers will discover the smaller, significant moments within the work, realizing that each piece is the sum of its parts—each area distinct and expressive in its own right. The selection of colors and shapes in each contrasting plane corresponds to a specific emotional, psychological, and physical moment.
ENERGIES SERIES 2008-2019
These series of artworks explore the Universe and its unity in the infinite diversity of elements. They describe the multiplicity of the Universe depicting. 1) Its juxtapositions between chaos and harmony. 2) Its constant change and movement. 3) Each of its parts containing the whole. The combination of all this components creates a visual plurality that the artist calls: Energies.
The variety of elements in these paintings is several energies vibrating simultaneously. These energies of the Universe are described through highly saturated colors, variety of gestural brushstrokes and shapes, a sense of overall rhythmic movement and the illusion of tridimensional space.
These compositions have two readings: A first one that comes like a blow, in which all areas clamor in unison at the top of their lungs. And a second one when the viewer realizes that each painting is in fact the sum of its parts, what is to say, of various smaller paintings, both possible and openly suggested by the work in question.
UNTITLED ABSTRACT SERIES 2006-2008
These artworks represent a transition between a more controlled process to work to a more adventurous one. They express something very emotional and personal in feeling, not just the evolution of an idea. They are very spontaneous and with not so much strategy.
This unconscious way to work allowed the artist to connect with the act of paint more directly, with less interference of the conscious mind. Multiplicity of graffisims, brushstrokes, lines, splashes, drippings and textures, are expressed all of them simultaneously
This series of paintings unifies oppositions and energizes a blend of rational and emotional notions. They juxtapose humble elements with big gestures. Several moments are visualized and expressed with diverse techniques
YING-YANG SERIES 2001-2006
This series of artworks evoke the balance between two extreme opposite forces: Ying-Yang. The apparent contradiction between these two strengths creates a complementary sense of unity that is expressed here.
These installations create a whole environment that deconstructs the traditional exhibition space and changes the viewer’s usual passive role by inviting them to participate in an ideal “Ying-Yang World”.
The works were made on the floor using dripping and other effects. In a manner of the action-paintings techniques. The artist literally draws with the dripping his graphisms and patterns following a circular movement as an expansion of the infinitum form, repeating them obsessively in a never ending way all around the whole surface of his pieces.
Patterns are fundamental in these works. They provide a structure to articulate the artist’s vision. When they appear perfect there is always a segment that betrays the overall exactness and confirms the objects having made by hand.
PICTORIAL SENSITIVISM 1995 -2001
The artworks from this period are the representation of different kinds of moods altogether inside of one frame. They have an intense and sensual sense of unity. The shapes had color that was partly knocked down, but mostly electric, and they were improvised and spontaneous but at the same time precise.
This series of paintings play between these two elements: Shape and color. Sometimes they merge, and sometimes there is a tension between them. This play in tension between pictorial surfaces and applied materials creates complex and straightforward layers of expressive abstractions.
These compositions don’t have a real space and there is not a center focus. Each part of one same work of art is strong enough and different from the rest and at the same time, alltogether make one piece. The selection of the colors and shapes in each contrasting plane corresponds to an emotional, physical and psychological registered moment.